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  • Buffalo Horticulture. The Landscape by Matthew Dore
  • Services
  • BLOG: Buffalo Landscape & Border Gardening
  • Matthew Dore, Landscape Designer, Buffalo, NY
  • Contact
  • Journal: \\"The Buff Hort Project\\"
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The Buffalo Horticulture Project: Journal

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THE BUFFALO HORTICULTURE JOURNAL INTENDS TO GIVE VOICE TO THE EVERYDAY OF BUFFALO HORTICULTURE. HERE WE TRY TO GIVE A FORM TO THE VALUES BEHIND AND INSIDE THE WORK.

2/21/2021 0 Comments

In Defense of Lawns - Episode 4

    My implications in these short episodes is that lawns are simple and easy to grow. A good portion of this point comes from the context I am working in - Buffalo and the WNY region. Temperatures are moderate here. Lawns don’t need artificial irrigation. They can naturally protect themselves from the normal droughts of summer by going dormant for six weeks. They are green the rest of the year and the snow cover is of short enough duration that the grass isn’t suffocated (disease problems can emerge when snow cover lasts for months at a time). 
    There is a certain caution to much of the advise and intellectualization that surrounds the lawn. How lawns are to be cared for and what they need differ with their climate and environment. “The Buffalo Climate,” while much negativity is made from it, is generally easy for our (cool-season) turf grasses to survive in. But many of the ‘prevailing wisdoms’ about lawn care come from other climates trying to grow the same grass plant into the same lawn in entirely different conditions. The back of fertilizer bags and lawn care websites are meant to standardize all knowing into a few universal recommendations and directions.
     It is difficult to grow lawns in Scottsdale, Arizona. But it is a different problem. Both lawns need the same thing to grow, but here, for the most part, they already have everything they need.  
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2/17/2021 0 Comments

Form. Earth Form. Earth Cover.

Images I am thinking with today.

​ From: Walker, Sophie. "The Japanese Garden." Phaidon Press, NY, 2019.
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2/16/2021 0 Comments

Form. "Land Art." Use of Space.

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Photograph by Annaick Guitteny. Find more of her work here: http://www.ag-photography.co.uk/winter . A series of images from this work at a private garden in the UK are featured in "Gardens Illustrated. Issue 294, December 2020 p. 38-47."
Three things to say:

1. I take interest in "Land Art" - which we might place plant form/sculpture into the genera - as oftentimes in designing the use of land, in a landscape design, in a backyard, there is space: unneeded: outside the land manager and user's utility. Certain traditions of design make this turf grass - openness. In other ways of thinking, turf grass and lawn is wasteful. No matter our choices, the making of the land is art no matter our decisions.

2. The "Gardens Illustrated" feature refers to this work above as "Caruncho-esque" referring to Spanish landscape designer Fernando Caruncho. I enjoy studying Caruncho's work but it also frustrates me as I see many of his gardens (not all) as wasteful and unsustainable. His landscapes are monumental - there is no better word to describe them - and are of a completely different universe ideologically and economically. I imagine some of his private gardens have higher annual maintenance than all the municipal gardens of WNY and Buffalo combined.

3. At the same time, Caruncho's gardening work, unlike any other gardening work I am aware of, falls into the domain of "high art." His works are purely sculptural, at the far end of the modern gardening ideology that sees plants as mere and secular materials. He would sooner talk about Piero della Francesca or Diego Velazquez than any contemporary Landscape Architect. His creative medium and  process is in dialogue with art history, not so much gardening - although, I think it may be fair to say, he is in dialogue with garden history as much as anyone - only also,  is more drawn to "high art' than cottage forms of garden thought. 
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Page from "Mirrors of Paradise: The Gardens of Fernando Caruncho." Cooper, Guy and Taylor, Gordon. The Monacelli Press, NY, 2000. p63. I selected this image as I imagine what Gardens Illustrated refers to as "Caruncho-esque." But this photograph is not representative of Caruncho's conversation with high art. In addition to this book, there is also "Reflections of Paradise: The Gardens of Fernando Caruncho" from Rizzoli Press which came out in 2020
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2/13/2021 0 Comments

In Defense of Lawns: Episode 3

    I think the pest and disease problems lawns may have are created by trying to get more out of the grass than it has to give us. Lawns are watered too much, over fertilized, mowed too closely, and have chemicals applied to the point of killing off all the beneficial and affiliated microbiology that acts in partner to keep the environment in ‘balance’, preventing infestations. Automation of watering and the desire to get value from one’s sprinkler system leave the plant and soil constantly wet which creates a healthier space for fungus than grass. Lawns aggressively fertilized push too much growth on the grass plants making for soft, tender foliage that is susceptible to infestations because of the lush nutrient density it creates - its like sugar candy to tiny insects. 
    Grubs are probably the most likely problem of a lawn at the opposite end of the managed spectrum. Light and balanced fertilization will reduce a lawns susceptibility to grubs but grubs are not the result of poor management - in my opinion. However, more often than not, if I come across Japanese Beetle Grubs, I take a quick scan around me and more often than not, you will find ornamental plants and trees that the adult Japanese Beetles like to feed on. Take a look around and you will find Little Leaf Lindens, Purple Leaf Sandcherry, and Roses, among others.  
    Grass does need a pound or two a year of nitrogen from fertilizer every season but Generally speaking, the fewer inputs into a lawn, the fewer problems.   
​
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2/10/2021 0 Comments

Formal. Form.

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The Shaping and shearing of garden plants and trees
Form and Shape are what excited me the most in 2020. I can't say I ever see it celebrated. Texture, line, movement, color, flowers; meadows, nature - this is what is what gets all the likes in the 'Gram world. And I can't say that in the "High Buffalo Garden World" do I ever see "form" as part of the conversation. But...I have been working on a photo project...
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2/8/2021

In Defense of Lawns - Episode 2

        My work in these short episodes on the lawn is to alleviate some of the competing anxieties that are placed on us as property owners and managers of the land. It seems “The Lawn” is not part of today’s dream. Yet here we are, with our existing urban and suburban infrastructure, our current model of land use - the neighborhoods are as they were built and there is no going back. It is the form that it is. 
    The spaces we live in today were built to be open, to be occupied by turfgrass lawns. In these spaces that we have inherited, the people that inhabit them want to give them care, to care for their spaces. I believe many people engage the landscape and garden as being simply “in their domain of caring.” They are tenders of their home spaces and landscape.  
    The lawns and spaces we have inherited as a form are not something that sprung as a new, raw, and undeveloped idea from the depth of our desiring imaginations. We tenders are good caring people that are taking responsibility for the worlds we inherited and inhabit. Our relationship to the properties we manage are not revolutionary and socially transformational. We all try and balance our ethics, caring, and consumer relationships to the lawns we steward - on the one hand, we have these spaces to care for and on the other, face the possibility that our cares exploit the earth and endanger the health of what we care for. There almost seems to be a paradox for us tenders, where we wish to care for our yards yet the greater narrative surrounding turf keeps hitting us, telling us we are conformists, suburban, and anti-environment. 
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2/6/2021 0 Comments

From Our Garden.

Throughout the season we have plants leftover or plants we salvage. They end up in our "shop garden." These were planted as small plugs in late May and they have developed and performed very well. I have been designing them into 2021 with excitement.
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Carex 'Evergold'
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Carex 'Evergold' - fall
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2/5/2021

In Defense of Lawns - Episode 1

“The Lawn,” is so often made into a monstrous cultural object. The adjective “American” is typically added to make the object more specific - and dirty. “The American Lawn,” in this narrative, is a giant sink of chemicals and pesticides that are killing microbiology and polluting groundwater, rivers, and streams. The lawn is a mechanism and symbol of American conformity. Many believe American lawn spaces should only be covered with native plants specific to the surrounding history of the land because the bees and other wildlife have had their homes and habitats destroyed. Further, the development model that creates vast turfgrass landscapes furthers Americans’ dependency on fossil fuels contributing to the unprecedented rate of global warming. 
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I don’t fully disagree with the above. But as a manager of the land, turfgrass is a great tool and can be managed ethically - and most importantly, affordably. In works to follow, I hope to present discussion to alleviate the anxieties of concerned tenders of the land who have been put into a world that demands our attachment to “The Lawn."

5/21/2020 0 Comments

Assembling Weak Sketches

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Potentilla simplex. Cinquifoil. Common lawn and landscape weed that spreads by seed and stolen.

What follows are my "notes" from this morning. It is a practice in what I believe I am rightly calling "weak theory." Weak theory only looks to explain and describe what is most local and available by adding together what is immediate so as to make sense of things. I think a little more weak theory is needed as we all seem to get gobbled up into large stream narratives of what is happening - things get outside ourselves.  ​

  1. I was just hired to do a small paver sidewalk, a project we won't begin until the middle of July probably. The first steps of the process were a little difficult to negotiate as the client kept responding to all my questions, "Yes. OK. Great. Yeah. Give me a quote for that." Getting a quote was what the client expected from me. I had to stop the conversation and say, "Listen. I am not here to give you quotes. You are a friend of a friend. I am here to help figure out what is the best thing for you to do. Find out what you want, what you need, help establish a sensible budget, answer questions." I think we saved him several thousand dollars. He explained to me a week later "We are hiring you because you told us what you thought was best to do. No one else would make a recommendation, they just handed us a catalog and told us to pick out what we like."
  2. I fear, oftentimes, it sounds as if much of my writing is ideological critiques. But I don't think it is. Speculation, maybe. But generally the question I am trying to get to is "where is and what makes the value in works." If to say "more well directed and efficient work performed makes for more value" then my critiques are more speculative measurements of how much work is behind something claiming to be a value. 
  3. "The Emperor Has No Clothes." An old professor friend of mine used to always bring up this short tale of Hans Christian Anderson and it took me 20 years to get around to reading it last winter. I recalled it this morning. If I could paraphrase the poetic sentiments I gather from it, I would write this as: "Do the men who make the emporor's invisible clothes do anything at all? Anderson writes the story telling of the tailors busily working to make no clothes at all.  And when the child calls out at the end of the story "The emperor's not wearing any clothes" is what the child really doing is saying "There is no value in the emperor."
  4. From my morning's reading: "In the end, the critique of ideology stands before the opposing consciousness like one of those modern, highly specialized pathologists who can, of course, say precisely what kind of pathological disturbance the patient is suffering from but knows nothing about appropriate therapies because that is not his specialty. Such critics, like some medicos corrupted by their profession, are interested in the diseases, not the patients." Sloterdijk, Peter. Critique of Cynical Reason. University of Minnesota Press, Minneapolis. 2015. p19
  5. "On Value." I always critique the florist, horticulturist, or "co-hort" identity and ideological/belief system. So much sense of self and imagination of difference based on "the plants" and what is believed to be "the right way." But, the work can never be about you unless you are tending to your own personal garden. Horticultural and landscape gardening work only finds its place of value when it is applied to helping another person who wants or needs it.




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4/18/2020 0 Comments

Pruning The Rose Garden - April 14th-16th

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